One of the Cinémathèque’s main means of acquisition for all its collections is through donations of various items from filmmakers, video makers, artists, craftspersons, producers, collectors, researchers and teachers in the fields of cinema, television, video and new media. Since the Cinémathèque is a registered charity, it can issue a tax receipt for the fair market value of the donated item.

  • CINEMA, TELEVISION, VIDEO AND NEW MEDIA
    The Daniel Langlois Foundation for Art, Science, and Technology

    The acquisition of the complete collection of the Daniel Langlois Foundation for Art, Science, and Technology, without question the most important of the Cinémathèque’s acquisitions in 2010-2011, firmly establishes the Cinémathèque’s new-media collection. The collection comprises 2691 16-mm films, film masters and video copies, in all formats, and 764 audio items; a library housing 6834 books, monographs, conference proceedings, essays and catalogues, trade publications, 2084 artist, organization and event files; a few pieces of equipment and various artefacts as well as archival holdings.

    Certain items in this collection may also be consulted online, including:
     

    For more information, please visit the section of our online collections.

     

    Drawing of Sergei Eisenstein, Daniel Langlois Foundation Collection
  • RELATING TO CINEMA, TELEVISION, VIDEO AND NEW MEDIA
    The Kodascope Library

    The Library Kodascope projector cabinet comprises a Kodascope Model B projector affixed to a 360-degree rotating stand that sits atop an Art Deco-style case in walnut veneer; the cabinet serves as both a storage case and pedestal for the projector. The cabinet also comes with several accessories: a Bell & Howell Filmo Model D camera, a movable screen, an instruction manual as well as a few movies. The projector and accessories were acquired in 1987 by Paul Maréchal, who donated them to the Cinémathèque québécoise in 2010. Mr. Maréchal had originally purchased the item from the estate of gallery owner Gilles Corbeil (1920-1986). The cabinet and projector had most likely been purchased by the latter’s father, a businessman, at the beginning of the Great Depression in the early 1930s, the purchase standing as a testament to the opulent lifestyle of this wealthy French-Canadian family from Outremont. Not only does the object supplement the Cinémathèque’s collection, this rare item—whose style and esthetic quality as a piece of furniture would alone have justified its acquisition by a collection specialized in decorative arts—is historically significant because it testifies to a time, from 1920 to 1930, when wealthy North Americans were consumers of cinema in their private, domestic spaces.

    Kodascope Library (Kodascope Model B), 1930