Cameron Winter at Carnegie Hall
The Cinémathèque québécoise is the only cinema in Montreal offering the chance to see films in 35mm and 16mm, thanks to the prints preserved in our vaults and our team of seasoned projectionists. The physical nature of film offers unparalleled texture, grain, and light, and remains an exceptional preservation medium to this day. When the marks of time are visible and reminding us of its history, it only reinforces the sense that cinema is a precious cultural heritage, a living art form, and a pleasure passed down from generation to generation. Whether in 35mm or 16mm, every screening becomes an event, inviting you to experience films as an authentic and vibrant journey!
Exclusively at the Cinémathèque québécoise
Presented in 35mm | A Janus Films and Criterion Release
Cameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.
Directed and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (One Battle After Another), the crew includes filmmaker and actor Benny Safdie (The Smashing Machine) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).
GQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a "a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album Heavy Metal was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record Getting Killed was named the best album of 2025 by The New Yorker, NME, and Stereogum.
Paul Thomas Anderson
Paul Thomas Anderson is an American filmmaker, screenwriter, and producer. His accolades include a BAFTA Award, and nominations for 11 Academy Awards and three Golden Globe Awards. He has also won Best Director at the Cannes Film Festival, the Silver Lion at the Venice Film Festival, and both the Silver and Golden Bear at the Berlin Film Festival. Anderson's films are often psychological dramas characterized by depictions of flawed, desperate characters; explorations of dysfunctional families, alienation, loneliness, and redemption; and a bold visual style that uses constantly-moving camera shots and long takes. After his directorial debut, Hard Eight (1996), he had critical and commercial success with Boogie Nights (1997), and received further accolades with Magnolia (1999) and Punch-Drunk Love (2002). His fifth and sixth films, There Will Be Blood (2007), and The Master (2012), are often cited among the greatest of the 21st century. They were followed by Inherent Vice (2014), Phantom Thread (2017), Licorice Pizza (2021) and One Battle After Another (2025). Anderson is noted for his collaborations with the cinematographer Robert Elswit, the costume designer Mark Bridges, the composers Jon Brion and Jonny Greenwood, and several actors. He has directed music videos for artists such as Fiona Apple, Haim, and Radiohead.
