Coming Home
We are launching a recurring program dedicated to highlighting an actor or actress for a month. Jane Fonda combines star power with a comforting familiarity that has been with us for decades, both on and off screen, as she continues to be a leading activist to this day. Born into a family of actors, she has not rested on her laurels. Instead, she built a career all her own, demonstrating a unique talent that has effortlessly spanned different eras and resulted in an original and eclectic body of work, as evidenced by the selection of films in this series.
Winner of the Academy Award for Best Actress for Jane Fonda in 1979
The awakening of a young Californian bourgeois woman, the wife of an officer, who, through her contact with a Vietnam veteran, learns the true face of war...

Hal Ashby
Hal Ashby was an American director, editor, actor, and producer. His work exemplified the countercultural attitude of the era. He is associated with the New Hollywood wave of filmmaking with filmmakers such as Martin Scorsese, Mike Nichols, and Sidney Lumet. Before his career as a director Ashby edited films for Norman Jewison, notably The Russians Are Coming, the Russians Are Coming (1966), which earned Ashby an Oscar nomination for Best Editing, and In the Heat of the Night (1967), which earned him his only Oscar for the same category. He received a third Oscar nomination, this time for Best Director for Coming Home (1978). Other films directed by Ashby include Harold and Maude (1971), The Last Detail (1973), Shampoo (1975), and Being There (1979). Many of his films are regarded as cornerstones of 1970s American cinema.

Jane Fonda
Jane Fonda is an American actress, and producer, activist, pacifist and feminist. She is the daughter of actor Henri Fonda, the sister of actor and filmmaker Peter Fonda, and the aunt of actress Bridget Fonda. She made her Broadway debut in the play There Was a Little Girl (1960), for which she received the first of two nominations at the Tony Award, and made her film debut that same year in Tall Story (1960). She rose to prominence in the 1960s, with Period of Adjustment (1962), Sunday in New York (1963), Cat Ballou (1965), Barefoot in the Park (1967) et Barbarella (1968). Her work as a actress was widely celebrated. She won the Academy Award for Best Actress twice, for Klute (1971) and Coming Home (1978), and won a BAFTA twice. She won seven Golden Globes, as well as the Cecil B. DeMille Award in 2021. After the success of her home video series, Jane Fonda's Workout, and a fifteen year hiatus, she returned to cinema in the comedy Monster-in-Law (2005), and subsequently acted in films like Youth (2015) and Our Souls at Night (2017). She is still active today. As a political activist in the counterculture era during the Vietnam War, she was photographed sitting on a North Vietnamese anti-aircraft gun on a 1972 visit to Hanoi and protested the Iraq War in the 2000s. She describes herself as a feminist and environmental activist.
Photo: Collections de la Cinémathèque québécoise





