Noir.e.s à la caméra
The recurrent cycle Noir.e.s à la caméra allows us to discover works directed or produced by African or Afrodescendant filmmakers throughout the history of cinema.
Four landmarks of African cinema !
Two young people love each other and want to get married, but a sorcerer advises the groom to test the feelings of his bride.
The film is based on a legend where Mamy Watta, the goddess of water seduces humans.
When the colonial authorities refused him permission to film in Senegal, Viera decided to shoot his first short feature in Paris. The film depicts the lives of African students in Paris, their interactions with other people and the homesickness they feel living so far from their own countries.
Satire of an African youth who arrived in the district of Saint Germain des Près in Paris in the 1970s.
