Action! If there’s one word associated with cinema, the tension of movie sets, and the focus of attention, it’s this one. Action is very often at the heart of popular cinema: Harold Lloyd hanging from the clock hands in Safety Last! (1923), Cary Grant threatened and strafed by a plane in North by Northwest (1959), Franka Potente gasping for air in Run Lola Run (1998)... Westerns, swashbuckler films, martial arts or adventure flicks, thrillers, all these genres rely on action—sometimes frenetic, sometimes meticulously measured.
From movies by Sergei Eisenstein to Gilles Carle, from John Ford to John Boorman and Werner Herzog, via Paul Verhoeven, Kathryn Bigelow, Park Chan-wook, Érik Canuel, and Nicolas Winding Refn, this series will take you through the full range of emotions, from laughter to thrills, from fear to satisfaction.
Winner of the Grand Prix, 2004 Cannes Film Festival
In this second part of Park Chan-wook’s Vengeance Trilogy, Oh Dae-Soo is kidnapped and held captive for no apparent reason. Through a television in his cell, he learns of his wife’s murder. Fifteen years later, he is released—still without explanation—and sets out to seek revenge.
Park Chan-wook
Park Chan-wook is a South Korean filmmaker. Widely regarded as a leading figure in South Korean and 21st-century world cinema, he is known for films that blend crime, mystery, and thriller elements with other genres. His films are noted for their cinematography, framing, black humor, and often brutal subject matter. After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time, and which Park himself prefers to be regarded as his directorial debut. Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Lady Vengeance (2005). Oldboy is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country. Most of Park's work following this trilogy was commercially and critically successful both in South Korea and internationally, such as Thirst (2009), The Handmaiden (2016), which earned Park the BAFTA Award for Best Film Not in the English Language, and Decision to Leave (2022), which won the Best Director award at the 2022 Cannes Film Festival. His 2025 film No Other Choice was nominated for the Golden Globe for Best Foreign Language Film and shortlisted for the Academy Award for Best International Feature Film.
