To Live and Die in L.A.
Action! If there’s one word associated with cinema, the tension of movie sets, and the focus of attention, it’s this one. Action is very often at the heart of popular cinema: Harold Lloyd hanging from the clock hands in Safety Last! (1923), Cary Grant threatened and strafed by a plane in North by Northwest (1959), Franka Potente gasping for air in Run Lola Run (1998)... Westerns, swashbuckler films, martial arts or adventure flicks, thrillers, all these genres rely on action—sometimes frenetic, sometimes meticulously measured.
From movies by Sergei Eisenstein to Gilles Carle, from John Ford to John Boorman and Werner Herzog, via Paul Verhoeven, Kathryn Bigelow, Park Chan-wook, Érik Canuel, and Nicolas Winding Refn, this series will take you through the full range of emotions, from laughter to thrills, from fear to satisfaction.
Based on Gerald Petievich’s novel To Live and Die in L.A., William Friedkin’s film follows Richard Chance, an agent with the U.S. Secret Service, who seeks revenge against the counterfeiter Rick Masters, the man responsible for the death of his colleague Jimmy Hart. To do so, he will have no choice but to step outside the bounds of the law.
William Friedkin
William Friedkin was an American filmmaker, screenwriter, and producer, who was closely identified with the New Hollywood movement of the 1970s. Beginning his career in documentaries in the early 1960s, he is best known for his crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture and Best Director, and the horror film The Exorcist (1973), which earned him another Academy Award nomination for Best Director. Friedkin's other films in the 1970s and 1980s include the drama The Boys in the Band (1970), considered a milestone of queer cinema; the originally criticized, now lauded thriller Sorcerer (1977); the crime comedy drama The Brink's Job (1978); the controversial thriller Cruising (1980), and the neo-noir thriller To Live and Die in L.A. (1985). Although his works suffered an overall commercial and critical decline in the late 1980s, his last three feature films, all based on plays, were positively received by critics: the psychological horror film Bug (2006), the crime film Killer Joe (2011), and the legal drama film The Caine Mutiny Court-Martial (2023), released two months after his death. He also worked extensively as an opera director from 1998 until his death, and directed various television films and series episodes for television.
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