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Dov'è la libertà...? (Italian with French subtitles)
Location
Main screening room
Date
January 26th, 2026
Duration
92 min
Cycle
Roberto Rossellini, Radical Neorealist

Sometimes, you need to go back to the essentials, and Roberto Rossellini is one of them, a pillar of one of the most decisive movements in cinema, neorealism. Milestone after milestone, this program offers a journey through a body of work characterized by formidable rigor and astonishing density, particularly prolific from the post-war period until the dawn of the 1960s. Whether he filmed the ravages of war, the battles that are romantic relationships, or the complexity of spiritual destinies, he was able to elevate his subjects to a kind of timeless perfection, thanks to a highly precise direction, capable of capturing the human condition in the most intimate way.

Where Is Freedom?
Directed by
Roberto Rossellini
Language
Italian with French subtitles
Actors
Totò, Vera Molnar, Nyta Dover
Origins
Italy
Year
1954
Duration
92 min
Genre
Comedy, drama
Format
Digital
Synopsis

A hairdresser who spent more than twenty years in prison for a crime committed in the name of honor regains his freedom. Disgusted by what he finds outside, he chooses to seek reimprisonment.

Where Is Freedom?
Où est la liberté ? est le divertissement le plus élégant, le plus cocasse qu'on puisse imaginer. C'est une farce, une bonne farce populaire. Et, bien sûr, comme toutes les farces, elle se révèle atroce dès qu'on cesse de rire.
J. Collet
1961

Roberto Rossellini

Roberto Rossellini is one of the most influential directors in the history of Italian cinema, playing a key role in bringing it to international prominence with films like Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948), cementing his place as a founding figure of neorealism. Born into a bourgeois Roman family, Rossellini grew up in a rich artistic and cultural environment. His father, who built Rome’s first cinema, exposed him to film from an early age, allowing him to attend countless screenings. After directing several short films, he made his first three features, The White Ship (1941), A Pilot Returns (1942), and The Man with a Cross (1943), collectively known as his Fascist Trilogy. Shot as the fascist regime was collapsing, Rome, Open City (1945) won the Grand Prize (Palme d’or) at the Cannes Film Festival in 1946. He followed with Paisan, featuring non-professional actors, and Germany, Year Zero (1948), which earned the Grand Prize and Best Screenplay Award at the Locarno Film Festival. In the late 1940s, a letter from Ingrid Bergman sparked a relationship that placed them in the public eye. Together, they collaborated on several films throughout the 1950s, beginning with Stromboli. Rossellini continued making films until the mid-1970s, shortly before his death.

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About Roberto Rossellini
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Presented in collaboration with

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