Beauty and the Beast
Making lists is an activity moviegoers are fond of. Every year, the same ritual: compilation of the ten best films, with comparative analyses, debates, heated discussions. But what about the ultimate list of the most outstanding films in the history of cinema? That is to say, those films that must be seen, those that have forever transformed the art of cinema, but also our way of seeing a culture, of understanding the world as well as our own lives? This program aims to tackle this challenge with nearly eighty films, produced between 1916 and 1960, while waiting for your lists!
When Belle's father returns from a trip, he gets lost and finds refuge in a strange castle. The next day, he picks the rose he had promised his daughter, not knowing that it is the Beast's garden. Irritated, the Beast offers him to exchange one of his daughters for his life. To save her father, Belle accepts the deal...
Jean Cocteau
Jean Maurice Eugène Clément Cocteau (5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. He is best known for his novels Le Grand Écart (1923), Le Livre Blanc (1928), and Les Enfants Terribles (1929); the stage plays La Voix Humaine (1930), La Machine Infernale (1934), Les Parents terribles (1938), La Machine à écrire (1941), and L'Aigle à deux têtes (1946); and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946), Orpheus (1950), and Testament of Orpheus (1960), which alongside Blood of a Poet and Orpheus constitute the so-called Orphic Trilogy.
