Christine
The threat comes from within... Modern technology has provided man with an appreciable level of comfort; elevators, cars, vending machines and electrical appliances of all kinds.
But what happens if our precious objects rebel against us? This is what this cycle explores through 7 films that put objects or machines at the center of the plot by becoming the main protagonists of the story. These frightening machines can be found in evil elevators (De Lift and Down by the famous Dick Maas), in bloodthirsty cars (Christine by John Carpenter and Maximum Overdrive by Stephen King), in banal everyday objects (The Demon on the Island by Francis Leroi), in a disturbing industrial press (The Mangler by Tobe Hooper) and even in an old nuclear power plant (The China Syndrome by James Bridges)!
Beware, they are among us...
She was born in Detroit on an automobile assembly line. But she is no ordinary automobile. Deep within her chassis lives an unholy presence. She is CHRISTINE a red and white 1958 Plymouth Fury whose unique standard equipment includes an evil, indestructible vengeance that will destroy anyone in herway. She seduces 17-year-old Arnie Cunningham (Keith Gordon) who becomes consumed with passion for her sleek rounded chrome-laden body. She demands his complete and unquestioned devotion and when outsiders seek to interfere, they become the victims of Christine's horrifying wrath. John Carpenter brings Stephen King's best selling novel to life in this chilling thriller.
John Carpenter
John Carpenter is an American director, screenwriter, producer, and composer. With a cinematic career spanning nearly forty years, he has directed numerous horror and science fiction films that have gained international renown over time. He is generally recognized as a master of the horror genre. His films are characterized by a minimalist style and simple storylines, crisp, unadorned editing, and minimalist music that he composes himself. As an independent filmmaker, he directed his first feature film, Dark Star, in 1974. Two years later, he helmed the action film Assault on Precinct 13 before turning to horror, which quickly became his preferred genre, with Halloween in 1978. The film was a tremendous success. From then on, Carpenter's career took off, and productions continued, with Hollywood opening its doors to him.
