Death in the Garden
Luis Buñuel's career as a filmmaker spans nearly fifty years, from 1929 to 1977, from Un chien andalou to Cet obscur objet du désir. Divided between France, Mexico and Spain, flirting in turn with experimental, documentary, more commercial productions or poetic cinema, his protean work has never ceased to amaze, to disturb and to exert a strong influence. By articulating his cinema around the question of desire - impulsive, unfulfilled, thwarted or creative - Buñuel has succeeded like no other in scrutinizing the torments of the human soul, their share of mystery and violence as well as the delights that lie hidden within. Bringing together his most famous works, while giving pride of place to lesser-known films from his Mexican period, this cycle allows us to appreciate all the nuances of a filmography that, like Surrealist exquisite cadavers, cultivates a taste for contradiction, both in feelings and in cinematic language.
In the small town of an imaginary South American country, a European adventurer finds himself in the middle of a conflict between diamond prospectors and the local government garrison. Accused of theft, he ends up joining a small group of rebels. They flee into the jungle, a tropical hell from which it is difficult to emerge...
Luis Buñuel
Born in 1900 in Aragon, Spain, Luis Buñuel studied with the Jesuits before moving to Madrid to attend university. There he met Salvador Dalí and Federico García Lorca, and became close to the Dadaist movement. In 1925 he moved to Paris and became the assistant of Jean Epstein. Influenced by surrealism, he directed, with the collaboration of Dalí on the screenplay, Un chien andalou and then The Golden Age. The latter was more widely distributed, but caused a scandal and inaugurated the long list of censorship acts that would be directed at Buñuel's works, regardless of the period, for their sense of provocation, their political scope and their independence of spirit. The filmmaker worked for a time in Spain, but the civil war broke out and he left for the United States, before finally going into exile in Mexico, where he shot most of his work for almost twenty years. From the 1960s onwards, he returned to France to film, beginning a fruitful collaboration with the screenwriter Jean-Claude Carrière, who co-wrote all of his last films. Since his death, Buñuel's work has continued to be one of the most influential of the 20th century.
Photo: Collections of the Cinémathèque québécoise
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Luis Buñuel, celui par qui le scandale arrive : Buñuel avait beau avoir le goût du scandale, ceux qui ont émaillé son parcours de cinéaste ont, à n’en pas douter, toujours dépassé ce qu’il avait fantasmé. Il suffit de s'en remémorer quelques-uns pour constater que la dimension subversive de son œuvre déborde largement de la simple provocation, et ce dès ses débuts.
