Doubles Vies
From one year to the next, the Cinémathèque québécoise takes the pulse of recent and current French cinema, in partnership with the Institut français, in order to follow the evolution of an increasingly diversified French production.
Alain and Léonard, writer and editor, overwhelmed by the new practices of the publishing world, deaf to the desires of their wives, struggle to find their place in this society whose codes they no longer master.
Olivier Assayas
Olivier Assayas is a French film director, screenwriter and film critic. Assayas is known for his slow-burning period pieces, psychological thrillers, neo-noirs and French comedies. His work has become associated with the film movement known as the New French Extremity and he has frequently collaborated with Juliette Binoche and Kristen Stewart. The son of filmmaker Jacques Rémy, Assayas began his career as a critic for influential magazine Cahiers du Cinéma. Here he wrote about the World Cinema and its film auteurs who would later influence his own works. Assayas made several shorts, and then made the leap from writer to screenwriter. He made his directorial film debut with Disorder in 1986. He continued directing films, with Cold Water (1994) becoming a breakthrough film in his career. It would be his first film to be screened at the Cannes Film Festival in the Un Certain Regard section. His follow up film Irma Vep (1996) also screened at Cannes, while Sentimental Destinies (2000), Demonlover (2002), and Clean (2004) all officially competed for the Palme d'Or. In 2006, he contributed a short film to the anthology film Paris, je t'aime (2006) with fellow directors such as Alexander Payne, Coen Brothers and Alfonso Cuarón. He gained acclaim with his dramas Summer Hours (2008), Clouds of Sils Maria (2014) and Personal Shopper (2016); the latter won him the Cannes Film Festival Award for Best Director. He has also directed the comedy Non-Fiction (2018) and the spy thriller Wasp Network (2019).
