Electra, My Love
The filmmaker Miklós Jancsó, described by his compatriot Béla Tarr as “the greatest Hungarian director”, takes the spotlight with the new restoration of six key works from his filmography. “The master of long takes” as Martin Scorsese still calls him, made a handful of extraordinary films between the mid-60s and the 70s, most of which are stages in the filming of the Hungarian historical narrative, from the Habsburg Empire until the end of the Second World War.
It has been fifteen years since the death of her father, Agamemnon, and Elektra, still burning with hatred towards his murderer, the tyrant Aegisztosz, attempts to rouse an apathetic population against the rule of this usurper.
Miklós Jancsó
Miklós Jancsó (27 September 1921 – 31 January 2014) was a Hungarian film director and screenwriter. Jancsó achieved international prominence starting in the mid-1960s with works including The Round-Up (Szegénylegények, 1965), The Red and the White (Csillagosok, katonák, 1967), and Red Psalm (Még kér a nép, 1971).
