Footlight Parad
Our summer cycle will be festive or not. Sound and image, song and dance, instrument and breathing, strings and gestures: so many possible combinations to express what cinema and music can achieve and express together. Musicals, concert films, catchy music. Jazz, classical, contemporary, disco, punk... Revolt and enchantment, distress and emphasis, joy and rhythm, melancholy and bass, laughter and stridency: diverse expressions characterizing cinema and music's historical alliance, will definitely make us fly, dream, dance!
From the 30's to the present day and across all possible genres, this cycle aims to open our minds at a time when we most need it. The first week of July will be an eventful one, as the cycle will open with several evenings in cabaret mode, where we will present for the first time concert films produced in Quebec during the confinement, with the participation of major artists of the current music scene: Klô Pelgag, Marie Davidson and Godspeed You! Black Emperor.
Preserved at the Library Congress.
Chester Kent (James Cagney) replaces his failing career as a director of Broadway musicals with a new one as the creator of musical numbers called "prologues", short live stage productions presented in movie theaters before the main feature is shown. He faces pressure from his business partners to continuously create a large number of marketable prologues to service theaters throughout the country, but his job is made harder by a rival who is stealing his ideas, probably with assistance from someone working inside his own company.
Lloyd Bacon
Lloyd Francis Bacon (December 4, 1889 – November 15, 1955) was an American screen, stage and vaudeville actor and film director. Bacon started in films as an actor with Charlie Chaplin and Broncho Billy Anderson and appeared in more than 40 total. As a director he made films in virtually all genres, including westerns, musicals, comedies, gangster films, and crime dramas. He was one of the directors at Warner Bros. in the 1930s who helped give that studio its reputation for gritty, fast-paced "torn from the headlines" action films. And, in directing Warner Bros.' 42nd Street, he joined the movie's song-and-dance-number director, Busby Berkeley, in contributing to "an instant and enduring classic [that] transformed the musical genre." (Wikipedia)
Photo : Imdb
Busby Berkeley
Busby Berkeley (November 29, 1895 – March 14, 1976) was an American film director and musical choreographer. Berkeley devised elaborate musical production numbers that often involved complex geometric patterns. His works used large numbers of showgirls and props as fantasy elements in kaleidoscopic on-screen performances. Berkeley's numbers were known for starting out in the realm of the stage, but quickly exceeding this space by moving into a time and place that could only be cinematic, to return to shots of an applauding audience and the fall of a curtain. (Wikipedia)
Photo : Imdb
