L'étrangleur
In homage to Paul Vecchiali, this cycle proposes to revisit some of the major films of this prolific filmmaker and passionate cinephile. Vecchiali was independent, in every sense of the word. The melodramatic cinema of the 1930s, to which he dedicated a monumental Encineclopedia, inspired his freedom of spirit and his lyricism. His movies bet on sentimentality, impertinence and unreality to tackle themes such as sexuality, homosexuality or the taboos of the post-war France. Faced with financing difficulties, he created in 1977 the production company Diagonale, a collective utopia that has sheltered many filmmakers in search of artistic independence.
Emile reproduces the murder he witnessed as a child: a strangler with a white scarf. He is thus the author of 5 gratuitous crimes perpetrated against desperate women. Simon, a policeman with original methods, tries to meet him through television and radio calls.
Paul Vecchiali
Born in 1930 in Ajaccio, Paul Vecchiali grew up in Toulon and then moved to Paris, where he entered the Ecole Polytechnique. After graduating, he quickly turned to cinema. He began writing for Cahiers du cinéma and making short films. From his first feature film, Les ruses du diable, in 1965, until the end of his life, he made more than fifty films, mixing melodrama, autobiography, dreamlike and experimental films to tackle issues such as desire, homosexuality, the AIDS crisis, the death penalty... A free electron and unclassifiable artist, Vacchiali suffered from a lack of funding, a situation that he turns into a farce in À vot’ bon cœur. Paul Vecchiali was also a producer, notably of the first films of Jean Eustache, and founded the production company Diagonale in 1976. In 2010, he published L'Encinéclopédie, a veritable sum on the French cinema of the 1930s, for which he had a passion and which inspired his own work.
