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Parlez-nous d’amour (French)
Monday, October 19th, 2026
at 18:00
Date
Monday, October 19th, 2026
at 18:00
Buy tickets
October 19th, 2026
Let's Talk About Love
Location
Main screening room
Date
October 19th, 2026
Duration
127 min
Cycle
Éléphant on the Big Screen

The Cinémathèque québécoise is pleased to partner with Éléphant : mémoire du cinéma québécois to show each month, on the big screen, a restored work from its film repertoire.

Let's Talk About Love
Directed by
Jean-Claude Lord
Language
French
Actors
Jacques Boulanger, Monique Mercure, Benoît Girard
Origins
Quebec
Year
1976
Duration
127 min
Genre
Drama
Format
Digital
Synopsis

A television host attempts to address the process of alienation that the audience of variety shows experiences.

Let's Talk About Love
Ma violence est verbale et je crois la violence verbale très efficace dans une œuvre de dénonciation comme celle que vous allez voir.
Michel Tremblay

Jean-Claude Lord

Jean-Claude Lord is a Québécois director, screenwriter, editor, and producer. Early in his career, he co-wrote Pierre Patry’s film, Trouble-fête (1964), before directing his first feature, Délivrez-nous du mal, in 1969. He became known to the public as a television columnist and film critic (Bon Dimanche). He founded his production company in 1971 and directed his second feature film, Les colombes (1972). Followed a series of films addressing controversial aspects of Québécois society. Bingo (1974) examined the political activism of young Québécois and police corruption. Parlez-nous d'amour (1976), written by Michel Tremblay, is a scathing critique of populist television. Panique (1978) explores the impact of industrial pollution. In 1986, Lord directed the first season of the highly popular TV series, Lance et compte, the first Québécois series to be shot in a cinematic style, with numerous outdoor shots. He continued his success the following year with La grenouille et la baleine (1987), one of the Contes pour tous produced by Rock Demers. Lord subsequently worked primarily in television, returning to the socio-political tone of his 1970s films.

Photo: Collections de la Cinémathèque québécoise

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