Lost and Delirious
Filmmaker Léa Pool has been creating unique work in Quebec cinematography for several decades. In addition to asking genre questions since her first films, she asserted since her beginnings a sharp, precise look at the paths of individuals at the crossroads, carried by subjective, existential quests, nourished by an exemplary narrative breath and a mastery of the image.
In presence of the director
Mouse Bradford has just arrived at Prekins Junior High School for Girls. She has left behind the small town where she grew up, her father and her stepmother. Mouse is quickly adopted by her two older roommates, the bubbly and quick-witted Paulie and the charming and beautiful Tory. Although they are the closest friends she has ever had, Mouse is confused about the depth of the relationship between Paulie and Tory.
Léa Pool
Léa Pool was born and raised in Switzerland, before emigrating to Quebec in 1975 at the age of 25. After studying communication, she taught cinema and video at UQAM, while producing TV programs and her first films. Esteemed by the public and the critics alike, the works she produced in the 80’s (Strass Café, La femme de l'hôtel, Anne Trister, À corps perdu), stood out at international festivals and already bear witness to the filmmaker's favorite themes: quests for individual meaning, feminine trajectories, intimate relationships... Her fiction work of the 90’s cemented her place in Quebec cinematography while she started to veer towards documentary cinema. Over the past two decades, Léa Pool has produced several international co-productions, as well as her greatest public success: La passion d’Augustine (2015). Her work has been regularly honored around the world, earning her prestigious distinctions.
Photo : Monic Richard
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Léa Pool: the one who reivented herself as a filmmaker
Few women were directors in Quebec when Léa Pool made her debut. She says that she has never made this femininity a driving force or seen it as a brake, but she has patiently built a body of work paying homage to women through complex mother-daughter relationships. Meeting with the one whose painful childhood ended up being scarred by the cinema.
