Among the pioneers in the history of cinema, Erich von Stroheim is undoubtedly one of those who strived the most to invent his own myth. This hero of another time, who seemed to carry the end of the Austro-Hungarian Empire on his shoulders, was a remarkable inventor of forms, creating from his very first silent films gems of narration, carried by a breathtaking art of editing. Although he often acted in the films he directed, it was Greed, his great work in which he did not act, that made him the first cursed filmmaker. No version of this film corresponds exactly to the film he had made, which was quickly butchered. With the advent of talking pictures, he became a simple actor (of genius) crossing with his legendary silhouette countless films.
Several missing girls are reported to the police. Adrienne, a friend of a missing girl, is used as a bait and informer and all the charges accumulate on her fiancé.

Robert Siodmak
Robert Siodmak (8 August 1900 – 10 March 1973) was a German film director who also worked in the United States. He is best remembered as a thriller specialist and for a series of stylish, unpretentious Hollywood films noirs he made in the 1940s, such as The Killers (1946).

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