A prolific filmmaker who got his start in the silent film era, Mikio Naruse eventually became one of the biggest names of the second golden age of Japanese cinema in the '50s and '60s, alongside Mizoguchi, Kurosawa, and Ozu. With a style that combines formal restraint and dramatic intensity, his cinema is celebrated for its powerful portraits of women. This program, which brings together six 35 mm prints, courtesy of the Japan Foundation, offers a rare opportunity to immerse yourself in this remarkable body of work on the big screen.
Okamoto Hatsunosuke and his wife, Michiyo, have moved from Tokyo to a small house in a modest neighborhood in Osaka. They married for love, but their romance has faded and they are approaching middle age. Michiyo has grown increasingly dissatisfied with her life since she has no children to care for. Hatsunosuke works for a securities firm, but the company is so small that he has no real chance for promotion. As a result of these frustrations, Michiyo nags Hatsunosuke while he remains aloof in an effort to avoid a serious confrontation. When Hatsunosuke's niece, Satoko, runs away from her home in Tokyo and arrives at their doorstep, real problems arise. (The Japan Foundation)
Mikio Naruse
Mikio Naruse was a Japanese filmmaker who directed close to 90 films spanning the period 1930 to 1967. He is known for imbuing his films with a bleak and pessimistic outlook. He made primarily shōshimin-eiga ("common people drama") films with female protagonists, portrayed by actresses such as Hideko Takamine, Kinuyo Tanaka, and Setsuko Hara. Because of his focus on family drama and the intersection of traditional and modern Japanese culture, his films have been compared with the works of Yasujirō Ozu. Many of his films in his later career were adaptations of the works of acknowledged Japanese writers. Titled a "major figure of Japan's golden age" and "supremely intelligent dramatist", he remains lesser known than his contemporaries Akira Kurosawa, Kenji Mizoguchi, and Ozu. Among his most noted films are Sound of the Mountain (1954), Late Chrysanthemums (1954), Floating Clouds (1955), Flowing (1956) and When A Woman Ascends The Stairs (1960).
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Mikio Naruse, filmer les ombres
La Japan Foundation organise une tournée nous offrant l’occasion de redécouvrir, en 35mm, six magnifiques films de la période tardive de Mikio Naruse. Ces œuvres témoignent de l'œil du cinéaste dans un Japon en mutation, de sa sensibilité pour les personnages féminins et d’une maîtrise formelle au sommet de sa maturité. Auteur très prolifique, il a signé près de 90 films des années 1930 aux années 1960. Il est aujourd’hui considéré comme l’un des grands noms du second âge d’or du cinéma japonais.
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