Cinema is a screen onto which we can project our fears, torments and the monstrosities of the world. The screen protects us from what we see, but cinema has also permanently anchored our nightmares around a few powerful images (empty houses, hostile attics and basements, demonic masks, bloodcurdling grimaces, disturbing postures). Throughout the summer, the Cinémathèque québécoise will be presenting a series of films encompassing more than one hundred and twenty years of horror, reminding us that what scares us most is to make the deepest of our fears tangible and credible.
A journalist investigates the strange phenomena surrounding an evil videotape.
Hideo Nakata
Hideo Nakata is a Japanese filmmaker. He is most familiar to audiences for his work on Japanese horror films such as Ring (1998), Ring 2 (1999) and Dark Water (2002). Several of these were remade in English as The Ring (2002), Dark Water (2005), and The Ring Two. Nakata made his initial breakthrough into film with Ghost Actress a.k.a. Don't Look Up (1996). Although failing to attain any large-scale success, the film was responsible for leading to his directing of Ring. Other Nakata films include Sleeping Bride (2000); Curse, Death and Spirit; and Chaos (2000). He directed the psychological thriller The Incite Mill which premiered on 16 October 2010 in Japan. He has now completed a Japanese ghost story, Kaidan. Also, his film Chatroom, was screened in the Un Certain Regard section at the 2010 Cannes Film Festival.
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Horreur - Qui a peur du croque-mitaine ?
Dans presque toutes les cultures, on retrouve un personnage maléfique qui sert à faire peur aux enfants – mais finit parfois par faire peur aux adultes… Qu’on l’appelle le croque-mitaine, Baba-Yaga, le bonhomme de sept heures ou le boogeyman, ses héritiers peuplent le cinéma d’horreur, qui raffole des monstres tortionnaires plus grands que nature.