The Decline of the American Empire
Pleasure can be a form of dissidence, as shown by this cycle, opening up this new year with a playful and impertinent philosophical tone. The modern heirs of Diogenes, the tramp Boudu and the punks of Not Dead dynamite the bourgeois order or the consumer society. Very Happy Alexander and The Big Lebowski make a few enemies by establishing the pleasures of laziness as an art of living. Children rebel against their school's authority figures in the libertarian Zero for Conduct, while Ferris Bueller prefers to play hooky to discover the world in a different way. In Hal Ashby's Harold and Maude, life becomes a marvelous game of defying convention and death, while Mr. Chance in Being There becomes a political oracle by simply explaining how to cultivate his garden. The final word goes to the decadent intellectuals of The Decline of the American Empire and their dizzying introspection on the exhausting quest for happiness.
In the countryside, Rémy, Pierre, Claude and Alain, professors at the Faculty of History, prepare a gourmet meal... and talk about women. In the city, Dominique, Louise, Diane and Danielle, friends or companions of these men, train in "aesthetic" bodybuilding... and talk about men.
Denys Arcand
Denys Arcand, born in 1941 in Deschambault, Quebec, is a Quebecois film director, screenwriter, actor, and producer. He studied history at the Université de Montréal in the 1960s. A filmmaker whose style has evolved significantly over the course of his career, he is best known internationally for his two major successes: The Decline of the American Empire (1986) and its sequel, The Barbarian Invasions (2003), the only Canadian film to win the Academy Award for Best Foreign Language Film. His work reflects the transformation of Quebec cinema, moving from incisive documentaries to fiction deeply rooted in the socio-cultural realities of the time. He then channelled his disappointment at the result of the 1980 referendum on Quebec sovereignty into themes of personal emancipation. After achieving international acclaim in the early 2000s, he went back to his roots in the mid-2010s, exploring themes he holds dear in films like An Eye for Beauty (2014) and The Fall of the American Empire (2018).
