The Head of Normande St. Onge
The Cinémathèque québécoise is pleased to partner with Éléphant : mémoire du cinéma québécois to show each month, on the big screen, a restored work from its film repertoire.
In the presence of Carole Laure
Normande St. Onge lives in a building filled with colorful people. Between her family issues, her hobbies, and her work, she meets Carol, a mysterious young boy whom she decides to take in to help him out.

Gilles Carle
Gilles Carle was a Quebec graphic artist, director, screenwriter, editor, and producer. He joined the National Film Board of Canada (NFB) in 1960, initially working as a documentalist and a screenwriter, before directing several documentaries, including Percé on the Rocks. In 1965, he made his first feature film, La vie heureuse de Léopold Z, although he had only been authorized to make a documentary. Reprimanded by his employer for this, Carle left the NFB and joined Productions Onyx, where he wrote and directed Le viol d'une jeune fille douce (1968), Red (1970), and Les mâles (1971). He then co-founded Productions Carle-Lamy with Pierre Lamy and went on to direct films such as La vraie nature de Bernadette (1972), starring Micheline Lanctôt, Daniel Pilon, and Willie Lamothe. In the 1980s, he adapted two Quebec literary classics for the big screen: Les Plouffe (1981) and Maria Chapdelaine (1983). His final feature films were produced in the 1990s. Known for his ability to craft complex yet authentic characters true to their cultural realities, Carle’s body of work is filled with tales, fantasy, and social fables imbued with humor.
Photo: Collections de la Cinémathèque québécoise







