Cinema is a screen onto which we can project our fears, torments and the monstrosities of the world. The screen protects us from what we see, but cinema has also permanently anchored our nightmares around a few powerful images (empty houses, hostile attics and basements, demonic masks, bloodcurdling grimaces, disturbing postures). Throughout the summer, the Cinémathèque québécoise will be presenting a series of films encompassing more than one hundred and twenty years of horror, reminding us that what scares us most is to make the deepest of our fears tangible and credible.
Sang-hyun is a beloved and admired priest in a small town, who devotedly serves at a local hospital. He goes to Africa to volunteer as a test subject in an experiment to find a vaccine to the new deadly infectious disease caused by Emmanuel Virus (E.V.). During the experiment, he is infected by the E.V. and dies. But transfusion of some unidentified blood miraculously brings him back to life, and unbeknownst to him, it has also turned him into a vampire.
Park Chan-wook
Park Chan-wook is a South Korean filmmaker. Widely regarded as a leading figure in South Korean and 21st-century world cinema, he is known for films that blend crime, mystery, and thriller elements with other genres. His films are noted for their cinematography, framing, black humor, and often brutal subject matter. After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time, and which Park himself prefers to be regarded as his directorial debut. Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Lady Vengeance (2005). Oldboy is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country. Most of Park's work following this trilogy was commercially and critically successful both in South Korea and internationally, such as Thirst (2009), The Handmaiden (2016), which earned Park the BAFTA Award for Best Film Not in the English Language, and Decision to Leave (2022), which won the Best Director award at the 2022 Cannes Film Festival. His 2025 film No Other Choice was nominated for the Golden Globe for Best Foreign Language Film and shortlisted for the Academy Award for Best International Feature Film.
