Waiting for the Storms
The mission of the Centre d'art et essai de la Cinémathèque québécoise (CAECQ) is to primary program Quebec-made documentaries and independent fiction, as well as international documentaries, animated and foreign films, while encouraging opportunities for meetings between the public and the artists. Its programming is presented in conjunction with the Cinémathèque québécoise’s under the label New releases.
The April 30 screening will be followed by a Q&A with the filmmaker, François Delisle
Official selection, FIFA 2025
Across various timelines and locations, four characters weave a web of stories that explore human resilience in the face of environmental upheaval.
Marie, gripped by obsessive, heart-wrenching questions as a young mother whose child faces a dead-end future, channels her anxiety into passionate activism. Terence, a climate refugee, tells strangers his story in the hopes of finding asylum in the North. McKenzie, a state security officer, breaks the chains of the system to take control of his fate and feel alive at last. Then Kira, a soldier, deserts the army to join a nomadic tribe who are the guardians of humanist values.
Waiting for the Storms is a fable about the climate crisis that transcends artistic boundaries to spark a dialogue between our past, present and future.

François Delisle
Born in Montreal in 1967, François Delisle began his career by making short films between 1987 and 1991. His first feature, Ruth (1994), had critics raving and established his reputation in Canada and Europe. In 2003, after founding his production company Films 53/12, he produced his second film, Happiness is a Sad Song (2004), which won several awards and brought him international acclaim. His next two films, You (2007) and Twice a Woman (2010), had a similar reception. The Meteor (2013) and Chorus (2015) screened at the Sundance and Berlin festivals. Both films were major international hits, screening at festivals and theaters in many countries around the world. In 2019 and 2020, Delisle directed Cash Nexus, his seventh feature, and CHSLD, a documentary short about his mother in her twilight years. For over 30 years, he has been exploring the human condition through a personal, uncompromising cinema.
