Science fiction pushes the boundaries, explores the improbable, and envisions the future of humanity. It also exposes us to extravagant visual effects and the inventive power of cinema, reflecting our deepest fantasies. In cinema, science fiction is immersive, creating worlds suddenly within our reach. This summer, over one hundred films from the history of cinema will allow us to witness this!
Winner of the Academy Award, Golden Globe & BAFTA for Best Animated Film in 2009
WALL-E, a friendly little robot designed for waste management, is the last inhabitant of Earth, humanity having taken refuge aboard spaceships after making the planet uninhabitable. One day, his well-oiled daily routine is disrupted by the arrival of EVE, a new-generation ultra-technological robot on a mission to detect any trace of life on Earth.
Andrew Stanton
Andrew Stanton is an American actor, screenwriter, director, animator, and producer. He directs and/or produces several animated films for Pixar Studios. He joined Pixar in 1990 and became their second animator. Starting in 1993, he participated in writing the screenplay for Toy Story, as well as developing the story with John Lasseter, Joe Ranft, and Pete Docter. This film marked Stanton's first steps as a screenwriter. He continued in the same roles for the three sequels, and he is the designated director for the upcoming Toy Story 5, which is set to be released in 2026. Each film from this series has made its mark in the history of audiovisual animation and in collective culture. Stanton made his directorial debut as a co-director on A Bug’s Life in 1998. He then contributed to Monsters, Inc.’s screenplay before tackling a more personal project for the first time, Finding Nemo, in 2003. The film won the Academy Award for Best Animated Feature, as did his next film, WALL-E, released in 2008. In 2012, he released his first live-action feature film, John Carter, followed by Finding Dory in 2016
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Ces robots qui nous côtoient
Le cinéma a grandement contribué à forger notre imaginaire des robots. Androïdes d’apparence humaine et créatures mécaniques aux formes plus rustiques n’ont pas été employés de la même façon, ni dans leur questionnement de la moralité humaine, ni pour les sentiments qu’ils éveillent auprès du public. À l’heure où l’intelligence artificielle est bien réelle, retour sur quelques classiques robots de cinéma.
