Artist's Talk ONF x Sommets | Michèle Lemieux
We know the event, the festival organized by the Cinémathèque québécoise presenting the best of animation film. But the Sommets also host a series of animated events held at the Cinémathèque or elsewhere, and which showcase new releases as well as memorable films from the past, short and feature films, screenings at the indoors and outdoors, film lessons and other events.
To be kept up to date with its annual programming, visit the Sommets website.
The Sommets du cinéma d'animation, in partnership with the NFB, are pleased to invite you to an Artist’s Talk with Michèle Lemieux.
Michèle Lemieux entered the world of illustration in the late 1970s. After graduating from Université Laval’s École des arts visuels in Quebec City, she continued her studies in Germany, specializing in drawing and printmaking with the German Association of Visual Artists. She returned to Montreal in 1982 and began teaching drawing and illustration at the Université du Quebec à Montréal (UQAM) school of design while pursuing her career as a book illustrator and animation filmmaker.
Since 1978, she’s written and illustrated more than 15 children’s books, including Stormy Night, which in 1997 won the prestigious Bologna Ragazzi Award. Adapted for the screen in 2006 at the National Film Board of Canada (NFB), the film garnered a dozen awards, including a Crystal Bear at the 2004 Berlin International Film Festival. Lemieux first encountered the Alexeïeff-Parker pinscreen in 2006 at a workshop given by filmmaker Jacques Drouin at the NFB. She used it to make her second animated short, Here and the Great Elsewhere, which she completed in early 2012. The film screened widely on the international festival circuit, winning multiple awards.
In this one-hour master class, the filmmaker will discuss her creative process when using the NFB’s Alexeïeff-Parker pinscreen, her research on light and colour, and her “encounter” with Mariana of Austria, the subject of her most recent animated short, The Painting. This richly poetic, non-narrative film offers a highly personal response to the portrait of Mariana painted by Diego Velázquez in 1652. Screening at festivals in 2024, The Painting is produced by Christine Noël and Julie Roy, with music composed by Robert Marcel Lepage and sound design by Catherine Van Der Donckt.
