L'eau chaude, l'eau frette
Les anniversaires s’enchaînent mais ne se ressemblent pas ! Pour souligner les 50 ans de l’Association coopérative de productions audio-visuelles (ACPAV), nous présentons plusieurs longs métrages et un programme de courts afin de mesurer la place exceptionnelle occupée par cette organisation au sein de la cinématographie québécoise. Plusieurs cinéastes ayant contribué à leur vaste catalogue viendront présenter leurs films et parfois ceux des autres! D’André Forcier à Benoit Pilon, de Brigitte Sauriol à Pierre Falardeau, en passant par Léa Pool et Paul Tana (pour n’en nommer que quelques uns), l’histoire du cinéma au Québec s’écrit avec l’ACPAV depuis maintenant cinq décennies.
The Cinémathèque québécoise is pleased to partner with Éléphant : mémoire du cinéma québécois to show each month, on the big screen, a restored work from its film repertoire.
EN PRÉSENCE DU RÉALISATEUR
L'eau chaude l'eau frette is a poetry of cruelty, a celebration of anarchy where friends and enemies are seated in a bar in Saint-Denis in honor of Polo's forty-third birthday. Each one, taking advantage of this great meeting to settle their accounts and wash their dirty laundry in public, the film ends on a half-bitter, half-sad note where all were scalded and rejected without sparing, the whole in a great finale; promised to a tomorrow that will be disappointing.

André Forcier
André Forcier is a Quebecois filmmaker and screenwriter, born on July 19, 1947, in Montreal. His body of work, often associated with South American magical realism due to its elements of fantasy, is nevertheless deeply rooted in Quebec’s reality. In fact, it can be more accurately seen as one of the few existing links between Quebec’s popular oral culture and its national cinema. Unlike Pierre Perrault, who observed the ways, language, and mannerisms of a proud, independent, and deeply rural Quebec in order to ennoble them, Forcier embraces the North American "bastardization" of his society, while highlighting the vitality of popular imagination. André Forcier’s cinema is widely recognized both in Canada and abroad. A pioneer, he was the first Canadian filmmaker to be honored with a retrospective at the Cinémathèque française (1987). In 2003, he received the Prix Albert-Tessier, Quebec’s highest distinction for lifetime achievement in cinema. In March 2010, he was awarded the Governor General’s Award in Media Arts, the highest honor of its kind in Canada. Forcier’s exceptional career has been celebrated with the Iris Tribute Award from Québec Cinéma for his 50 years in film (2018), and the Louve d'honneur from the Festival du Nouveau Cinéma for his lifetime achievements (2019). In 2024, Ababouiné brilliantly closed the Fantasia Festival, where Forcier was honored with both a career tribute and the Audience Award. This recognition continued at Les Percéides in Gaspésie, where he again received a lifetime achievement award, and Ababouiné won the Audience Award, confirming his status as an emblematic figure of Quebec cinema.







