This program brings together several film duos, exploring the unique dynamics of face-to-face encounters. These interactions can take the form of a chase, a direct confrontation, a tense meeting behind closed doors, or a spectacular final showdown. Antagonists, doubles, adversaries, or alter egos: these are all troubled relationships that unite and tear apart the protagonists, between fascination and aversion.
Elisabet Vogler, having lost the use of speech, is sent to convalesce on an island with a nurse, Alma. The two women are physically similar, but everything else is in opposition.

Ingmar Bergman
Born in 1918 in Uppsala, Sweden, Ingmar Bergman grew up in a strict Lutheran household. Cinema became a refuge for him, offering solace from his father's austere upbringing as a pastor. He pursued studies in history, literature, and theater, eventually embarking on a career in theater before transitioning to film. He began writing screenplays for Svensk Filmindustri. Starting with Crisis in 1946, he ventured into directing his own films. By the mid-1950s, works like The Seventh Seal and Wild Strawberries earned him international acclaim. In 1986, with the production of Fanny and Alexander, Bergman decided to end his illustrious career as a filmmaker for the big screen. However, he remained active in theater and television filmmaking until Sarabande in 2004. In his later years, he retired to the island of Fårö, a place deeply intertwined with his cinematic legacy and personal history.
