Purple Noon
To honor the legendary Alain Delon, we offer a look back at three solar films from his expansive career: Plein Soleil by René Clément, which cemented him as the new star of French cinema; L’eclisse by Michelangelo Antonioni, confirming his status as an auteur's favorite with his understated, minimalist performance; and Soleil rouge by Terence Young, showcasing his widespread appeal and ventures into genre cinema.
Tom Ripley is tasked by an American billionaire to retrieve his son, Philippe, who's been vacationing too long in Italy with his girlfriend, Marge. As Tom becomes entangled in their relationship, a toxic dynamic develops between him and Philippe...
René Clément
René Clément is the only French director to have won the Academy Award for Best Foreign Language Film twice, for The Walls of Malapaga (1951), and for Forbidden Games (1953). He directed his first film, César chez les Gaulois, an animated short, in 1931. In 1934, he met Jacques Tati and began working with him, including on his first short film, the light-hearted comedy Soigne ton gauche (1936). In 1937, he traveled with archaeologist Jules Barthoux to Yemen to shoot a documentary. During World War II, he continued focusing on documentaries, and his short film Ceux du rail (1943) caught the attention of the French film cooperative, which chose him to direct La bataille du rail (1946). This would become his first feature film and a major success, earning him the Jury Prize at the 1946 Cannes Film Festival. Clément soon became one of the most prominent French filmmakers of the post-war era. Six years later, his greatest success, Forbidden Games (1952), won the Golden Lion in Venice and the Academy Award. His reputation grew in the United States, where he worked with stars such as Jane Fonda in Joy House (1964), Charles Bronson in Rider on the Rain (1969), and Faye Dunaway in The Deadly Trap (1971). To date, Clément remains the most awarded French filmmaker at the Cannes Film Festival, having received five prizes between 1946 and 1954.
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Delon solaire
La Cinémathèque québécoise rend hommage à Alain Delon qui nous a quittés cette année. De sa riche filmographie, nous avons extrait trois films « solaires » qui témoignent de son charme incandescent et de sa stature internationale : un film français (Plein Soleil de René Clément, 1960), un film italien (L’eclisse de Michelangelo Antonioni, 1962) et une coproduction franco-italo-espagnole tournée en anglais (Soleil rouge de Terence Young, 1971).