The Day the Earth Stood Still
Science fiction pushes the boundaries, explores the improbable, and envisions the future of humanity. It also exposes us to extravagant visual effects and the inventive power of cinema, reflecting our deepest fantasies. In cinema, science fiction is immersive, creating worlds suddenly within our reach. This summer, over one hundred films from the history of cinema will allow us to witness this!
Winner of the Golden Globes for Best Film Promoting International Understanding in 1952
One day, a flying saucer lands in Washington and two beings emerge: a humanoid alien and a robot with obvious destructive powers. Have they come to communicate or to destroy the planet?
Robert Wise
Robert Wise was an American filmmaker. He won the Academy Awards for Best Director and Best Picture for his musical films West Side Story (1961) and The Sound of Music (1965). He was also nominated for Best Film Editing for Citizen Kane (1941) and directed and produced The Sand Pebbles (1966), which was nominated for Best Picture. Among his other films are The Body Snatcher (1945), Born to Kill (1947), The Set-Up (1949), The Day the Earth Stood Still (1951), Run Silent, Run Deep (1958), I Want to Live! (1958), The Haunting (1963), The Andromeda Strain (1971), and Star Trek: The Motion Picture (1979). He was the president of the Directors Guild of America from 1971 to 1975 and the president of the Academy of Motion Picture Arts and Sciences from 1985 through 1988. Wise achieved critical success as a director in a striking variety of film genres: horror-noir, western, war, science fiction, musical and drama, with many repeat successes within each genre. His meticulous preparation may have been largely motivated by studio budget constraints, but advanced the moviemaking art. He received the AFI Life Achievement Award in 1998.
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Ces robots qui nous côtoient
Le cinéma a grandement contribué à forger notre imaginaire des robots. Androïdes d’apparence humaine et créatures mécaniques aux formes plus rustiques n’ont pas été employés de la même façon, ni dans leur questionnement de la moralité humaine, ni pour les sentiments qu’ils éveillent auprès du public. À l’heure où l’intelligence artificielle est bien réelle, retour sur quelques classiques robots de cinéma.
