Our summer cycle will be festive or not. Sound and image, song and dance, instrument and breathing, strings and gestures: so many possible combinations to express what cinema and music can achieve and express together. Musicals, concert films, catchy music. Jazz, classical, contemporary, disco, punk... Revolt and enchantment, distress and emphasis, joy and rhythm, melancholy and bass, laughter and stridency: diverse expressions characterizing cinema and music's historical alliance, will definitely make us fly, dream, dance!
From the 30's to the present day and across all possible genres, this cycle aims to open our minds at a time when we most need it. The first week of July will be an eventful one, as the cycle will open with several evenings in cabaret mode, where we will present for the first time concert films produced in Quebec during the confinement, with the participation of major artists of the current music scene: Klô Pelgag, Marie Davidson and Godspeed You! Black Emperor.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
Mark Sandrich
Mark Sandrich (born Mark Rex Goldstein; October 26, 1900 – March 4, 1945) was an American film director, writer, and producer. Sandrich became a director in 1927, making comedy shorts. (Wikipedia)
Image : Indiana University
Explore
Fred Astaire and Ginger Rogers at their peak
The big numbers, obviously, are the main draw in this, the fourth and best collaboration between Fred Astaire and Ginger Rogers (plot: he meets her, they fall in love, she thinks he’s married, screwball comedy ensues). Top Hat, White Tie and Tails and Cheek to Cheek are iconic numbers still beloved by Hollywood (La La Land boldly pilfered the last)...