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Tribute to Sylvie Groulx

Hommage à Sylvie Groulx (French)
Wednesday, October 7th, 2026
at 18:00
Date
Wednesday, October 7th, 2026
at 18:00
Buy tickets
October 7th, 2026
Tribute to Sylvie Groulx
Location
Main screening room
Date
October 7th, 2026
Duration
178 min
Cycle
Quebec Film History

This program showcases seminal works and sometimes lesser-known gems from Québec's cinematic heritage.

There will be an intermission between The Big Sweep and Chronique d'un temps flou

Une bien belle ville
Directed by
Francine Allaire, Jeannine Gagné, Sylvie Groulx, Michel Lamothe
Language
French
Origins
Quebec
Year
1975
Duration
20 min
Genre
Documentary
Format
Digital
Synopsis

A documentary on housing issues in Montreal and the large-scale demolitions that took place in working-class neighborhoods, particularly on Saint-Jacques and Saint-Norbert streets.

Une bien belle ville
The Big Sweep
Directed by
Francine Allaire, Sylvie Groulx
Language
French
Origins
Quebec
Year
1978
Duration
70 min
Genre
Documentary
Format
Digital
Synopsis

Directed by two young women involved in the founding of distributor Cinéma Libre, The Big Sweep is an excellent example of a social intervention film designed to provoke debate. Their project consists in observing the impact of social conditioning on sexual stereotypes: how do education and society determine relations between men and women?

The Big Sweep
Chronique d'un temps flou
Directed by
Sylvie Groulx
Language
French
Origins
Quebec
Year
1988
Duration
88 min
Genre
Documentary
Format
Digital
Synopsis

Through portraits, questions, and concerns of young Quebecers aged 20 to 25, this documentary prompts – often with humor – reflection on contemporary Quebec society: family, relationships, work, unemployment, creativity, politics, the future, and more. The director, for her part, represents the 35-and-older generation and thus helps gauge how far we’ve come since the late 1960s.

Chronique d'un temps flou

Sylvie Groulx

Long embedded in a tradition of socially engaged documentary filmmaking, Sylvie Groulx enjoys debating broad issues that affect society as a whole. From Le grand remue-ménage (1978) to the essential À l’ombre d’Hollywood (2000), via Chronique d’un temps flou (1988), the common thread running through her work is perhaps the loss of reference points—and, consequently, the confusion of values. She has never feared questioning preconceived ideas, but always does so with a gentle and thoughtful touch. Her cinema has a distinct perspective, but it remains that of a free-thinking woman. Sylvie Groulx has the ability to immerse audiences in major issues through insightful and well-researched documentaries, devoid of sensationalism or vengeful militancy. Her rare ability to engage viewers in deep reflection while appealing to their intelligence sets her apart. Her camera is patient, attentive, and perceptive, and her approach does not exclude moments of cinematic brilliance.

This restoration is part of the implementation of a measure in Quebec's Digital Cultural Plan.