Our summer cycle will be festive or not. Sound and image, song and dance, instrument and breathing, strings and gestures: so many possible combinations to express what cinema and music can achieve and express together. Musicals, concert films, catchy music. Jazz, classical, contemporary, disco, punk... Revolt and enchantment, distress and emphasis, joy and rhythm, melancholy and bass, laughter and stridency: diverse expressions characterizing cinema and music's historical alliance, will definitely make us fly, dream, dance!
From the 30's to the present day and across all possible genres, this cycle aims to open our minds at a time when we most need it. The first week of July will be an eventful one, as the cycle will open with several evenings in cabaret mode, where we will present for the first time concert films produced in Quebec during the confinement, with the participation of major artists of the current music scene: Klô Pelgag, Marie Davidson and Godspeed You! Black Emperor.
An orphan girl, resigned to an impossible love, devotes herself to the stage and becomes the star of the Folies-Bergère show. The most famous appearance of Josephine Baker in the cinema, who delivers her dance numbers that made the whole of Paris run.
Marc Allégret
Marc Allégret est un réalisateur et photographe français, né le 23 décembre 1900 à Bâle et mort le 3 novembre 1973 à Paris. Dès 1930, il commence à voler de ses propres ailes et tourne d’abord des courts-métrages, dont la plupart sont interprétés par Fernandel : La Meilleure Bobone (1930), J’ai quelque chose à vous dire (1931), Attaque nocturne (1931). Collaborant avec les producteurs Pierre Braunberger et Roger Richebé, Marc Allégret ne tarde pas à devenir l’un des réalisateurs les plus influents du cinéma parlant (Premiere.fr)
Image : Media Amazon