Kite Zo A (Leave the Bones)
The mission of the Centre d'art et essai de la Cinémathèque québécoise (CAECQ) is to primary program Quebec-made documentaries and independent fiction, as well as international documentaries, animated and foreign films, while encouraging opportunities for meetings between the public and the artists. Its programming is presented in conjunction with the Cinémathèque québécoise’s under the label New releases.
Screening on November 15 will be followed by a Q&A with the director
Peace Award, Montreal's Nouveau Cinema Festival 2022
In 1791, in Haiti, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression, poverty, and natural disasters. Kite Zo A (Leave the Bones) is a sensorial film about rituals in Haiti, from ancient to modern, made in collaboration with poets, dancers, musicians, fishermen, daredevil rollerbladers, and Vodou priests, set to poetry by Haitian author Wood-Jerry Gabriel.
Kaveh Nabatian
Kaveh Nabatian is an Iranian-Canadian director and musician whose evocative filmmaking has brought to life stories from the margins of society and across the world. His film work ranges from A Crack in Everything, a feature doc about Leonard Cohen, to masterminding the experimental, seven-director anthology feature The Seven Last Words, to his Canadian Screen Award-nominated feature narrative debut, the Cuba-set and shot Sin La Habana, which won multiple awards from international film festivals and was a New York Times Critic’s Pick. His most recent film, the award-winning Kite Zo A: Leave the Bones, is a sensorial documentary feature shot in Haiti, made in collaboration with Haitian musicians, poets, Vodou priests, fishermen, and daredevil rollerbladers. It had its international premiere at SXSW.