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La chance et l'amour (VOF)
Location
Main screening room
Date
November 2nd, 2021
Duration
109 min
Cycle
Bertrand Tavernier (1941-2021)

Le cinéaste originaire de Lyon a durablement marqué le paysage de la cinématographie française, autant par la diversité de ses propositions cinématographiques que par la longévité de son parcours. Quel est le signe distinctif d’un cinéaste qui semble se mouvoir avec aisance autant dans le cinéma historique, le drame de mœurs contemporain, la comédie dramatique, le film de cape et d’épée ou même la science-fiction ? S’il s’agit de l’œuvre d’un cinéphile compulsif et d’un historien du cinéma, ajoutons qu’elle est aussi la somme d’un passeur revendiqué et passionné par ce qui agite les comportements humains, tels qu’ils peuvent être montrés et vus au cinéma.

La chance et l'amour
Directed by
Éric Schlumberger, Bertrand Tavernier, Claude Berri, Charles L. Bitsch
Language
French version
Actors
Michel Piccoli, Stefania Sandrelli, Bernard Blier
Origins
France, Italy
Year
1964
Duration
108 min
Genre
Comedy
Format
16 mm
Synopsis

Georges de Beauregard, the most "Nouvelle Vague" of producers, was behind this project: to allow four young people who wanted to make films to shoot a sketch on the theme of luck. Claude Chabrol shot the segments that link the sketches together and a bunch of famous actors agreed to illustrate them.

La chance et l'amour

Bertrand Tavernier

Bertrand Tavernier, born April 25, 1941 in Lyon and died March 25, 2021 in Sainte-Maxime, is a French director, screenwriter, producer and writer, also president of the Institut Lumière. Son of the writer and resistance fighter René Tavernier, he was first an assistant director, press agent (notably for Stanley Kubrick) and critic before moving on to directing with L'horloger de Saint-Paul, his first critical success, the basis of a long collaboration with the actor Philippe Noiret . Several of his films have received awards, in France and abroad (including Around Midnight which won an Oscar and was nominated for a Golden Globe).

(Wikipedia)

Charles Bitsch

Charles Bitsch, born April 23, 1931 in Mulhouse and died May 27, 2016 in Villejuif, was a French film critic, director of photography and director. A former student of the Technical School of Photography and Cinema (Class "Cinema" 1953, including Philippe de Broca and Pierre Lhomme), Charles Bitsch collaborates to Cahiers du cinéma from 1955 to 1959, as well as to the weekly Arts. Charles Bitsch was director of photography and cameraman for Jacques Rivette for Le Coup du berger and Paris nous appartient, then assistant director for Claude Chabrol, Jacques Demy, Jean-Pierre Melville and, on several occasions, for Jean-Luc Godard. He directed, in 1964, the sketch Cher baiser of the film Les Baisers.

(Wikipedia)

Claude Berri

Claude Langmann, known as Claude Berri, was a French director, screenwriter, producer and actor, born on July 1, 1934 in the 10th district of Paris and died on January 12, 2009 in the 13th district of Paris. Nicknamed "the last mogul" or "the godfather" of French cinema, he is considered one of the great directors (Chao Pantin, Jean de Florette and Manon des sources, Je vous aime) and film producers (Tess, L'Ours, Astérix et Obélix : Mission Cléopâtre, Bienvenue chez les Ch'tis) of French cinema. He was also president of the Cinémathèque française from 2003 to 2007. Claude Berri was also a lover of modern and contemporary art, to which he dedicated the Espace Claude Berri, opened in Paris from 2008 to 2009.

(Wikipedia)

Explore

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Distribution complète
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Filmography

Emission spéciale Bertrand Tavernier

Rediffusion de l'émission spéciale Bertrand Tavernier, diffusée lors de la journée consacrée au cinéaste sur France Musique, le 28 février 2013. Ronde de Nuit, une émission proposée, préparée et présentée par Olivier Le Borgne...

Bertrand Tavernier : « Chaque film était une bataille »

Sa traversée du cinéma a commencé il y a un peu plus d’un demi-siècle. Avant de réaliser L’Horloger de Saint-Paul (1974), Bertrand Tavernier a aimé autrement le cinéma - en programmant un ciné-club, en écrivant pour des revues (les Cahiers du cinéma, Positif) ou comme attaché de presse...

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