The Man with the Balloons
The extraordinary journey of this actor, a leading figure in Italian and European cinema for over three decades, brings us back to the heart of the most demanding auteur cinema, as well as to the most inventive, joyful, and iconic popular films. With a unique sense of style and a casual elegance, he became one of the most accomplished embodiments of the screen actor.
Mario, a wealthy candy factory owner, gradually becomes obsessed with his advertising balloons to the point of losing his mind.

Marco Ferreri
Marco Ferreri is an Italian director, actor and screenwriter. Inspired by the cultural vibrancy of post-war Italy, he moved to Rome and began producing a series of documentaries, asking various filmmakers and writers (including Luchino Visconti, Vittorio De Sica, Federico Fellini, Alberto Moravia, and Cesare Zavattini) to direct films. In 1952, he worked as production director on Alberto Lattuada's The Overcoat. His 1960 film The Wheelchair triumphed at the Venice Film Festival and earned the Grand Prize for Black Humor in Paris. In the 1970s, his films took a sharp look at the psychological toll of industrial productivity and capitalist excess in modern society. He transformed Annie Girardot into a circus animal with thick fur in The Ape Woman, cast Ugo Tognazzi as a sex education teacher in Sex Quartet, and turned Catherine Deneuve into a dog-woman in Liza. His provocative La grande bouffe, depicting the collective suicide of four friends through gluttony, sparked outrage at the 1973 Cannes Film Festival. Ferreri continued creating films until 1996, concluding his career with Nitrato d'argento, a documentary on the history of cinema.
